WRITER/DIRECTOR: Joe Carnahan
BUDGET: $7,500,000 (estimated)
about 3-4 years ago on the podcast/website i talked about a film called Blood, Guts, Bullets And Octane. it was director joe carnahan's first film, and with Smoking Aces having just come out, i decide to go back and see where he had started. however, none of that would have happened if it hadn't been for his second film - and the first one of his i saw - Narc!
it was because of Narc that i recognized his name when Smoking Aces was released and it was because of Narc that even though i wasn't that enthused with Smoking Aces, i wanted to see what else he had done. i recently watched Narc again to make sure it was as good as i remember it from back when i saw it in the theatres years ago. and it was!
The film is about the investigation of the murder of an undercover police officer. the investigation is stalled and the higher ups are desperate to put the case to bed. the investigation is passed to the cops partner (ray liotta) and an undercover narcotics officer (jason patric) who had recently been let go from the force after an incident during his last operation.
the film reminded me a little of the movie Training Day (it was released prior to that film though) in how the main characters are presented - at least initially. like ethan hawkes character in Training Day, jason patric appears to be the moral center of Narc. and like denzel, liotta is the larger-than-life, do-what-needs-to-be-done cop. however, unlike Training Day, Narc isn't as black and white (no pun intended).
although carnahan may present the characters to us that way in the beginning, you can't take them for granted. because the truth isn't so easy. using the cinematography, the colors, the characters and a strong script, carnahan creates a film that lives in the grey. whereas Training Day likes to think it presents the grey. but really, when it comes down to it, it's pretty black and white.
and one can't talk about this film without mentioning ray liotta's performance. he has done some great work, but this is one of, if not his best. he owns the screen. he is a force and a physical presence. not to dismiss jason patric, who is also great and more than holds his own against the force of liotta's character.